A companion site to 'The Vintage Bandstand,' this is a series of brief posts about all kinds of good jazz, written and published by Anton Garcia-Fernandez in Martin, Tennessee, U.S.A.
If ever anybody was more deserving of being described as a multi-instrumentalist, that musician was Harry Parry, the Welsh bandleader who mastered all sorts of instruments, from reeds to brass to drums to the violin, before settling for a career as a clarinetist leading several trio and sextet combos on highly popular BBC radio shows throughout the 1940s and '50s. Not only was Parry an accomplished musician, but his vast knowledge of the history of jazz made him a perfect host for the BBC's Jazz Club series as well. His rise to stardom was preceded by a period of apprenticeship within the ranks of several dance bands led by then-popular names such as Oscar Grasso, Charles Shadwell, and Louis Levy, among many others. Parry, who sang occasionally, also had a fine ear for talent, and some of the small swing groups that he fronted when popular acclaim beckoned included a young George Shearing on piano. Shearing was also featured on some of the trios and sextets that Parry put together for broadcasting purposes during the World War II years.
The war and postwar period of Parry's career is precisely what is captured on the 2004 Dutton Vocalion release, Parry Opus. The 26 tracks included on the CD were recorded between 1942 and 1946 are perfect examples of Parry in his prime, playing the clarinet and leading sextets that often feature Shearing on piano and Ben Edwards on drums. As a clarinetist, Parry was obviously influenced by Artie Shaw and Benny Goodman, so it's no wonder that he chose to record songs that were closely associated with Shaw and Goodman, such as "Frenesi," "Moonglow," "Runnin' Wild," "After You've Gone," and "Body and Soul." As these sides show, there is always a sort of restrained elegance to Parry's playing, and he leads his sextets with great conviction and charm. The collection also features some of his own compositions, including "Parry Opus" and "Potomac Jump," the latter written during a highly acclaimed engagement at London's Potomac restaurant. Both the contents and the fantastic sound make this release the perfect introduction to Parry's sound, which still comes across as fresh and exciting all these years later. Parry, who also dabbled in acting and television, passed away in London in 1956, due to a heart attack, when he was only 44 years old.
