Tuesday, May 23, 2017

Jazz Flashes Podcast: A Conversation with Jazz Discographer & Historian Noal Cohen

Rochester-born jazz discographer, historian, and musician Noal Cohen first heard the sounds of jazz at a very early age and was instantly hooked. And even though there were other interests in his life, he has devoted a big part of his time to listening to, playing, and studying this music, particularly the bop and hard bop of the 1950s and '60s. Now that he's retired and lives in Montclair, NJ, he has undertaken several important projects. One of them is his website, Noal Cohen's Jazz History Website, which features thorough, painstakingly researched discographies of jazz greats such as Gigi Gryce, Johnny Hartman, Elmo Hope, Lucky Thompson, Frank Strozier, Teddy Charles, and Herb Geller, among others. The site is also a treasure trove of LP covers from his extensive jazz record collection and information about the 1950s Rochester, NY, jazz scene, which was extremely active. His other project is a book he has co-authored with his friend Michael FitzgeraldRat Race Blues: The Musical Life of Gigi Gryce, the definitive Gryce biography, which has already reached its second edition.


I recently had the chance to chat with Noal about his life, his invaluable work as a jazz historian and discographer, and his personal views on jazz and its history, when he guested on the sixth episode of the Jazz Flashes PodcastDuring our lengthy conversation, which ended up lasting for about two hours, Noal and I discussed his excellent Gigi Gryce biography (which he had already written about a few months ago in The Vintage Bandstand, here), his laborious discographical research on some lesser-known jazz greats from the '50s and '60s, his own work as a jazz drummer, and the many reasons why the Eisenhower years can be considered a golden era of high-quality jazz, among several other topics. I'd like to thank Noal for guesting on the podcast and for his time; our conversation was quite a thrill for me, and if you are interested in listening to it, you may access it in its entirety here:



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